Ah, my metaphorical mohawk is spikey and brutal right now. SLC Punk reignited the Rude Boy in me and I am ready to fucking rock. I’m want to tattoo middle fingers on my face and tell the whole world to kiss my ass. Of course, I definitely won’t do that because I’ve completely Bought In. But I feel it deep down in my poser soul.
*Please note that we spoil pretty much every M. Night Shyamalan film* Oh, boy. We’ve got a deep, dark brooding movie this week in The Sixth Sense. This was M. Night Shyamalan’s first feature film, and damn did he hit a home run on the first pitch. Haley Joel Osment absolutely carries this movie, and for as good of a job as Night does, if they couldn’t find a child as good as him, then this movie would have been doomed from the start. Outside of Toni Collette, he acts everyone else off the screen, and it earned him an academy award nomination for Best Supporting Actor.
This week we dive head first into one of the most ridiculous of the Nicolas Cage films (and that’s saying something), Face/Off. In addition to a rousing Cage performance, we have John Travolta doing a Cage impression for half of the movie, and it is glorious. John Woo is at his John Wooest. GREAT score by John Powell. This has all the makings of a classic action film, and nobody talks about it.
Hudson Hawk is the 1991, musical, heist, action, comedy starring Bruce Willis, Danny Aiello, and Andie MacDowell. This remains Bruce Willis’ one and only writing credit and was a passion project for him. Unfortunately, it was universally panned and is by no means a good movie (Mike would disagree). However, it’s a fun movie that could have been good if there were any sort of tonal consistency. Wikipedia says that it’s based off of a “clockpunk” technology, which I refuse to believe is an actual thing. Even worse is taking “clockpunk” and mixing it with classic Italian-American standards, and it somehow makes less sense than it sounds.