Ba da, DA DA! If you know that sound, then you know what movie we are recasting this week. On this episode, we discuss all things Bond. We debate what makes a good Bond and whether or not Pierce Brosnan effectively carries the torch. GoldenEye has some ups and downs. It suffers from a really mediocre script. Had that been better, I think that more could have been done with Famke Janssen and Sean Bean’s performances. Alan Cumming also does a lot with a little in his hacker nerd role.
What happens when you combine voodoo, a child sized doll, and Chris Sarandon? You get Child’s Play. The 1988 horror classic that was way better than it had any business being. Not that this was a critical or box office darling, it flourished in the VHS rental market. At least enough for several sequels and I believe they are planning a reboot, because Hollywood is out of ideas. I wonder if they bring back Brad Dourif. He’s got a Tommy Wiseau vibe as a human, but he’s a hell of a voice over guy as Chucky. We’ve also got the mom from Seventh Heaven (Catherine Hicks) as the innocent single mother just trying to make her boy happy. Little does she know, she’s invited the spawn of satan into her house rent controlled apartment.
We have a lot of fun on this episode. We meet Shaggy Chaz, discuss the travesty of Maggie Peterson (Dinah Manoff) meeting her doom so early in the movie, and I extoll the virtues of having a library card (for real, go get a library card, and then start streaming movies, tv, audiobooks and ebooks for free with Hoopla).
As always, we appreciate the balls off of all of our listeners (Disclaimer: Balls not required). We’re about to switch it up over the holiday season and continue our Recasting Couch Roundtable series (even though the table is no longer round). If you have any suggestions for topics that you would like us to cover, then hit us up on twitter (@recastingpod), or email us at firstname.lastname@example.org. We’ve already gotten some great suggestions, and we’re looking forward to more! Make sure to tell a friend about the pod, and if you have a few spare minutes, leave us a 5 star rating on whatever service you consume podcasts!
I’m sorry, did the universe think that we weren’t going to put out a podcast this week? From car accidents, to work emergencies, to Mike’s laptop getting fried and me having to learn how to edit a 3 hour shitshow into the hilarious, beautiful, tight 2:15 that this episode I have bestowed upon you all. We were NOT going to let anything get in the way of delivering the entertainment that we have promised you.
This week’s episode is Con Air. The Nicolas Cage classic that may or may not have aged particularly well, depending on who you ask. Cage plays Cameron Poe, a newly released felon who is just hitchin’ a ride on a plane with the most dangerous group of murderers and rapists in the country. I guess my question is, did he HAVE to take that ride? If he was released, then wouldn’t you think they would at least give him the option of taking a normal plane home? This is a take that I really, really wish I thought of during the show. I spent 20 hours on this episode between pre and post production, and I have my best idea now. Faaaaaannnnntastic.
The Crow is the 1994 neo-noir fantasy film based off of the 1989 comic book series by James O’Barr. Contrary to popular belief, The Crow is not played by Brandon Lee, who tragically died during the filming of the movie. The Crow is played by an actual crow, well…not any actual crows. Only ravens were used in the movie. The idea is that the crow is supernatural. Brandon Lee plays Eric Draven, an innocent young man who is brought back to life by the mysterious Crow one year after him and his wife are brutally murdered. From there it’s a full-on revenge story.
Bad Boys, baby. Bad Boys for lyfe. The movie that was based off of the 1987 Inner Circle hit song. Or maybe not. Honestly, I can barely understand anything they are singing outside of the chorus, so it could be about Shakespeare for all I know. Either way, the song is catchy as shit, and so is this movie. This was the first film Will Smith did since his big screen debut in Six Degrees of Separation. Up until this point, he was always funny and cool, but this was the first thing to solidify him as a total badass as well. He then went on to make Independence Day the next summer, and Men in Black the summer after that. Hell of a start to a movie career.