We’ve got Limitless on our docket this week. It’s sufficiently…meh. There’s a really good and fun movie in there somewhere. Bradley Cooper does his best (although he was dealing with his ailing father who passed away during filming, so he gets a pass). Robert DeNiro is miscast as the Elite-of-elite Manhattan power broker. Not that he can’t handle the acting, he just doesn’t have that vibe. He’s got a Queens or Brooklyn vibe. Now, Pacino has the Manhattan vibe. His character in The Devil’s Advocate would have been perfect here. Andrew Howard steals the show a bit with his Gennady character (don’t get me started on how bad the names are in this movie), and Abbie Cornish is perfectly capable in her role as the girlfriend Melissa. A role which could have, and probably should have, been fleshed out a bit more. Continue reading “The Recasting Couch Ep. 95: Limitless”
Ronin. Ronin, Ronin, Ronin… How we had such high expectations for rewatching this car chase/heist movie. This movie nowhere near achieves the sum of its parts. The parts are impressive. A lot of people who are great in a lot of things. Many we’ve even fawned over before, but not this time. Continue reading “The Recasting Couch Ep. 93: Ronin”
This (last?) week’s episode is (was?) Glore-ious. Get it? Oh man, I’m doing way too much here. Either way it was rad. We had the very funny Ricky Glore (@rickyglore) on the show to talk about the movie In & Out. Kevin Kline does some very Kevin Kline things, and absolutely crushes his role as Howard Brackett, a flamboyant English teacher in a high school in Anytown, USA (actually the fictional town of Greenleaf, Indiana), whose former pupil Cameron Drake (Matt Dillon) outs him as a gay man to the surprise of the entire community, including Howard himself. Tom Selleck also stops by to drop a surprisingly good performance as Peter Malloy, a sleazy, TMZ/Inside Edition, Hollywood gossip leach who eventually convinces Howard that he’s actually gay. Not that it took that much convincing because Howard is definitely gay. The ensemble cast is rounded out by Joan Cusack, who just nails it as Howard’s frustrated beard bride-to-be. Debbie Reynolds, Wilfred Brimley, and Bob Newhart are just a few of the others that help create this great community that is reacting to this “earth shattering news” (for 1997).
During the show, we ponder just how well this movie holds up from a contemporary standpoint. Ricky gives us his perspective, and that of his brother that has been out of the closet for some time. Ultimately, we feel like this is certainly a positive portrayal of gay people and gay culture, but that’s where it ends. Unfortunately, it was perhaps too early in the gay rights movement to allow for a more sexualized version of Howard to emerge, because the only thing they focus on in this movie is his lifestyle. We aren’t exactly begging for a graphic sex scene, but it takes more than just a fondness for Streisand and pressed clothes to determine one’s sexuality. However, that is apparently a decision the writer specifically made in order to gently ease the larger public into the gay culture, and farbeit from us to challenge the decision, given the success of the movie, and its place in popular culture at the time.
Thanks again for listening. We’ve got some fun stuff in the very near future. If you are going to be at Philadelphia Comic Con Friday, April 12th, check out Mike on the 1:00 panel for improving movies. If you are a die-hard TRC listener, then you may be familiar with the subject matter. If you get a chance, leave us a 5-star rating on your podcast app of choice. This helps spread the word so more people can discover the show and join the recasting craze. If you want to chat about recasting or movies in general, find us on twitter @recastingpod . If you have any movies you’d like us to recast or any mailbag questions, email us at email@example.com. You all are the friggin’ best. Stay gold Pony Boy.
This must be your lucky day, because you’ve just rolled Snake Eyes.
Believe it or not, this is better than the actual dialogue in the 1998 pulp, noir, cheesefest that is one of the Cage-iest of Nicolas Cage movies that there is. Brian De Palma directed and wrote the film, although it would have benefited from maybe another 17 writers being brought in. But for how flimsy the script was, the direction was actually pretty good, and ultimately this was a very enjoyable rewatch.
Ah, my metaphorical mohawk is spikey and brutal right now. SLC Punk reignited the Rude Boy in me and I am ready to fucking rock. I’m want to tattoo middle fingers on my face and tell the whole world to kiss my ass. Of course, I definitely won’t do that because I’ve completely Bought In. But I feel it deep down in my poser soul. Continue reading “The Recasting Couch Ep. 84: SLC Punk”
Gattaca is the movie that we recast this week, and hold onto your butts. This episode has no business being as funny as it is. We don’t know where it came from, and if we recorded this episode 50 times we couldn’t replicate this. It’s a hell of a way to celebrate getting both of us back in the studio.
This week, we recast Law Abiding Citizen. We’ve had this on our list for quite some time, even though I had very little interest in it. However, Mike finally talked me into it, and I gotta say, I enjoyed it way more than I ever expected to. I had seen it before and I definitely didn’t like it all that much. Now that I’ve given the movie its due credit, it is severely flawed. Maybe the biggest of all being the acting. Gerard Butler was actually pretty good, but that’s about it. Jamie Foxx might be one of the most Jekyll and Hyde actors ever. If he’s not into the project, then it really shows on screen. Unfortunately, this was one of those movies. Even some of our favorite That Guys, Colm Meaney and Bruce McGill mail it in a bit. Some of the other That Guys do bring more to the screen, as I’ll throw Annie Corley and Richard Portnow a little love. And poor Leslie Bibb, she was completely out of her depth with that character, but that wasn’t her fault. She should never have been cast in the first place.