In celebration of the baseball season starting, this week we recast A League of Their Own. This 1992 ode to women’s baseball was so much fun to recast. I’m not sure if this counts as a “TRC After Dark” episode or not, but the Jameson and laughs were flowing freely and we go all over the place in this one. Geena Davis, Lori Petty, Rosie O’Donnell, and Madonna all headline this “based on a true story” feature about the Rockford Peaches in the All-American Girls Professional Baseball League.
This week we recast one of our all-time favorite comedies, Dirty Rotten Scoundrels. A film that feels like it was specifically written for the brilliant comedic stylings of Michael Caine and Steve Martin, is actually quite the opposite. This film was first intended to feature David Bowie and Mick Jagger after the success of their hit video for Dancing in the Street, an idea brought to you by copious and copious amounts of cocaine, by the looks of it. The original production also had Sean Young as the part of Janet Colgate, before she dropped out and made way for Glenne Headly. Talk about a pair of Hall of Fame happy accidents.
In retrospect, that’s a kinda hilarious name, seeing as they immediately replaced every single role for the sequel except Alfred (natch…) and Robin (Mike’s favorite 90’s heartthrob, Chris O’Donnell), and was almost instantly forgotten within the cultural zeitgeist. If it weren’t for it’s fantastic soundtrack, it may be on the same level as Batman and Robin, instead of accepted as slightly better.
“Unh…here come the MIB’s…unh…here come the MIB’s..unh…The good guys dress in black, remember that, just in case you ever face-to-face or make contact. The title held by me, MIB, because you thought what you saw you did NOT SEE.”
Remember that song you heard 5,000 times during the summer of 1997? Well that song actually had a movie based off of it…
Hudson Hawk is the 1991, musical, heist, action, comedy starring Bruce Willis, Danny Aiello, and Andie MacDowell. This remains Bruce Willis’ one and only writing credit and was a passion project for him. Unfortunately, it was universally panned and is by no means a good movie (Mike would disagree). However, it’s a fun movie that could have been good if there were any sort of tonal consistency. Wikipedia says that it’s based off of a “clockpunk” technology, which I refuse to believe is an actual thing. Even worse is taking “clockpunk” and mixing it with classic Italian-American standards, and it somehow makes less sense than it sounds.