This (last?) week’s episode is (was?) Glore-ious. Get it? Oh man, I’m doing way too much here. Either way it was rad. We had the very funny Ricky Glore (@rickyglore) on the show to talk about the movie In & Out. Kevin Kline does some very Kevin Kline things, and absolutely crushes his role as Howard Brackett, a flamboyant English teacher in a high school in Anytown, USA (actually the fictional town of Greenleaf, Indiana), whose former pupil Cameron Drake (Matt Dillon) outs him as a gay man to the surprise of the entire community, including Howard himself. Tom Selleck also stops by to drop a surprisingly good performance as Peter Malloy, a sleazy, TMZ/Inside Edition, Hollywood gossip leach who eventually convinces Howard that he’s actually gay. Not that it took that much convincing because Howard is definitely gay. The ensemble cast is rounded out by Joan Cusack, who just nails it as Howard’s frustrated beard bride-to-be. Debbie Reynolds, Wilfred Brimley, and Bob Newhart are just a few of the others that help create this great community that is reacting to this “earth shattering news” (for 1997).
During the show, we ponder just how well this movie holds up from a contemporary standpoint. Ricky gives us his perspective, and that of his brother that has been out of the closet for some time. Ultimately, we feel like this is certainly a positive portrayal of gay people and gay culture, but that’s where it ends. Unfortunately, it was perhaps too early in the gay rights movement to allow for a more sexualized version of Howard to emerge, because the only thing they focus on in this movie is his lifestyle. We aren’t exactly begging for a graphic sex scene, but it takes more than just a fondness for Streisand and pressed clothes to determine one’s sexuality. However, that is apparently a decision the writer specifically made in order to gently ease the larger public into the gay culture, and farbeit from us to challenge the decision, given the success of the movie, and its place in popular culture at the time.
Thanks again for listening. We’ve got some fun stuff in the very near future. If you are going to be at Philadelphia Comic Con Friday, April 12th, check out Mike on the 1:00 panel for improving movies. If you are a die-hard TRC listener, then you may be familiar with the subject matter. If you get a chance, leave us a 5-star rating on your podcast app of choice. This helps spread the word so more people can discover the show and join the recasting craze. If you want to chat about recasting or movies in general, find us on twitter @recastingpod . If you have any movies you’d like us to recast or any mailbag questions, email us at firstname.lastname@example.org. You all are the friggin’ best. Stay gold Pony Boy.
This week is a movie that was an instant classic the moment it hit theaters. Although, you probably just remember it as the pie-fucking movie. If that doesn’t narrow it down enough for you…then what kind of media are you regularly consuming? The movie I’m talking about is, of course, American Pie. I do want to apologize for the sound quality. I was having some broadband issues over the weekend, and after numerous false-starts, we were lucky to even be able to record. But I’m glad we did, because talking about this movie was a lot of fun. As a junior in high school when this movie came out, it hit me in a way that was all too real at that time. Watching it again all these years later, it immediately put me in a time machine and took me back to 1999. This might be the biggest nostalgia bomb for me of all of the movies we’ve recast. Mike’s had a few, but this one is a little later and was absolutely EVERYWHERE when I was a senior, and everyone had their eye on prom.
This week we recast Bad Santa, which….wasn’t as bad as I was expecting it to be. This foul-mouthed little chucklehead of a movie somehow hit on a lot of right notes, but also missed drastically on others. To be honest, neither of us were looking forward to this. Bad Santa has been done to death, but it’s literally the only contemporary Christmas movie available on the streaming services. We had the same problem last year when we recast The Santa Clause, although that is way better of a Christmas movie than Bad Santa. Even just the name of this movie bugs me. It’s just stating the obvious, and it feels like no real thought or creativity was used in coming up with it, and that’s kind of what the tone of the movie is. It just exists. There aren’t any highs or lows, it just sits in the pocket and is weird and vulgar for 90 minutes. Continue reading “The Recasting Couch Ep. 77: Bad Santa”
So I’m supposed to write a blog about our latest episode where we recast Galaxy Quest. But that’s incredibly hard when I’ve got Chappelle’s Show playing in the background. I could write about Tim Allen and Sigourney Weaver anchoring this meta sci fi classic, but I’m too busy learning about the time Eddie Murphy’s older brother kicked Rick James in the chest. Something, something, Enrico Colantoni absolutely owns this role and you can see the rest of the alien actors following his lead. Whatever, I’m catching up on Wayne Brady doing his best Alonzo Harris impression. Anyone who has been listening lately will appreciate us picking a Sam Rockwell movie where he’s almost inconsequential, even though we try to cast him in everything. Although, there are some people whose lives are irrevocably changed by playing a tiny part in an insanely popular cult sci-fi classic. But don’t take our word for it. Continue reading “The Recasting Couch Ep. 75: Galaxy Quest”
Scott Pilgrim vs the World is an ode to video games, but it barely references any specifically. It’s weird, but it makes the movie feel more “real” in its unique universe. This movie’s outsized budget (85-90 million) doesn’t necessarily show up on the screen, but I say that not trying to take anything away from the movie, which we both really enjoyed talking about and recasting. Edgar Wright does a fine job directing, and Michael Cera is adorable and a total dick at the same time. It didn’t make our jobs easy. It’s a fine line he walks. More than anything, this movie is a great ensemble piece. Mary Elizabeth Winstead, Kieran Culkin, Alison Pill, and Jason Schwartzman all provide some really fun auxiliary performances.
After what feels like an eternity, we are finally able to recast The Birdcage. A movie the two of us absolutely love (yes, in that way). The Birdcage tells the story of Armand Goldman, played by Robin Williams, and his life partner Albert, (Nathan Lane), as they deal with the engagement of Armand’s (highly unlikely) biological son, Val (Dan Futterman). Unfortunately, the woman he’s marrying is the daughter of a very conservative Senator Keeley (Gene Hackman), and his clueless wife (Dianne Wiest). Hilarity ensues when Barbara’s (Calista Flockhart) parents drop in for an impromptu visit as a way to dodge a political scandal, creating another one in the process.