Reservoir Dogs; the heist movie with everything except the heist. This film put Quentin Tarantino on the map along with Steve Buscemi, Tim Roth, and Michael Madsen. It also caused a brief resurgence of Stealers Wheel. I don’t know what it is about Quentin, man. He just seems to be able to get the absolute best out of the actors he works with, and this film is no exception, on a shoestring budget no less. Although he can’t act his way out of a paper bag, he was supposed to play Mr. Pink and was dead set on it until Buscemi came in and crushed the audition so hard, he somehow overrode Quentin Tarantino’s ego, which may be the most impressive acting feat of all time.
Lethal Weapon, the 1987 action movie is what we are talking about this week. Starring Mel Gibson and Danny Glover (NOT Rene Russo and Joe Pesci, they came later), this movie touches on some really tough topics and does so in a (somewhat) realistic way. Mel plays a Vietnam veteran Martin Riggs who, in addition to dealing with the horrors of war, is on the edge of sanity after losing his wife tragically in a car accident. Roger Murtaugh is the grumpy older detective who is a family man on the edge of pension when he draws the reckless (and quite frankly dangerous) Riggs as a partner on a case that runs that gamut of sex, drugs, and murder. Continue reading “The Recasting Couch Ep. 34: Lethal Weapon”
Your options are kinda limited when the star is 62 years old.
That being said, the smaller scale of this movie is sort of the whole point. It’s an “assassinate the President” movie without the president. The writing and the acting are so good that the president is almost an afterthought*. Clint Eastwood plays Frank Horrigan, a Secret Service agent who has stood by the side of presidents his entire career. Continue reading “The Recasting Couch Ep. 33: In The Line of Fire”
In retrospect, that’s a kinda hilarious name, seeing as they immediately replaced every single role for the sequel except Alfred (natch…) and Robin (Mike’s favorite 90’s heartthrob, Chris O’Donnell), and was almost instantly forgotten within the cultural zeitgeist. If it weren’t for it’s fantastic soundtrack, it may be on the same level as Batman and Robin, instead of accepted as slightly better. Continue reading “The Recasting Couch Ep. 32: Batman Forever”
Four Brothers is a movie about four BROTHERS who aren’t actually BROTHERS, although two of them are BROTHERS (“And when I say BROTHER, I don’t mean like an actual BROTHER, but I mean it like the way black people use it, which is more meaningful, I think.”). The BROTHERS have to join forces and use all of their BROTHERS powers do defeat the guy who killed their BROTHER mother (although he does eventually kill one of the BROTHERS). Did I mention that they are BROTHERS? Continue reading “The Recasting Couch Ep. 29: Four Brothers”
“Unh…here come the MIB’s…unh…here come the MIB’s..unh…The good guys dress in black, remember that, just in case you ever face-to-face or make contact. The title held by me, MIB, because you thought what you saw you did NOT SEE.”
Hudson Hawk is the 1991, musical, heist, action, comedy starring Bruce Willis, Danny Aiello, and Andie MacDowell. This remains Bruce Willis’ one and only writing credit and was a passion project for him. Unfortunately, it was universally panned and is by no means a good movie (Mike would disagree). However, it’s a fun movie that could have been good if there were any sort of tonal consistency. Wikipedia says that it’s based off of a “clockpunk” technology, which I refuse to believe is an actual thing. Even worse is taking “clockpunk” and mixing it with classic Italian-American standards, and it somehow makes less sense than it sounds. Continue reading “The Recasting Couch Ep. 27: Hudson Hawk”